24th Nov 2012 11:52am | By Alex Harmon
Back when boy bands had chest hair, there was Color Me Badd. The band have reunited to show us how it was done in the Nineties
Anyone who grew up in the Nineties need only hear the lyrics “tick tock you don’t stop” to feel a pang of poster-on-the-bedroom-wall teen nostalgia.
The intro into Color Me Badd’s most successful track, I Wanna Sex You Up, has the ability, not only hoist a cheeky smile to the face, but send one into a deep-breathing panic of cringe.
And now that the ‘Badd boys are grown up and have children of their own, you've got to wonder if their songs have endured these cringe-worthy tests of time.
Well, if you ask founding member Mark Calderon if his 17-year-old daughter is partial to a bit of vintage Color Me Badd, he winces, proving, like MC Hammer baggy pants and copper goatees, not all things owned in your youth will suit your fatherly 42-year-old self.
“No she don’t sing that song [I Wanna Sex You Up]. I get on her when she sings that one,” admits Calderon.
“But she loves all the songs from the Nineties and that just cracks me up.
"They know all the lyrics. So it’s not just the 30-40 year old's that are touched by the music of the Nineties. It’s the kids of today too.”
While the kids of today may not give a shit about Brendan and Brenda, or even know who they are, the music publicits will shout until the cows come home that old school Nineties nostalgia is at an all time high.
So much so that they have put together a ‘Made in the ‘90s’ show which will roll out in Australia next month bringing together some of the RnB genre’s most recognisable hit makers of the last two decades.
Acts like Shai, Jon B and Soul For Real will team up for a night of Nineties goodness. (Please note: that wasn’t just a shallow 90210 plug, Color Me Badd featured in an episode of the Beverly Hills' drama.
If you're interested, Kelly invites the band to Peach Pit after their concert to serenade Donna a capella style. Ah, Nineties' TV...)
While there are only three of four members remaining in the band – Kevin Thornton, Mark Calderon and Bryan Abrams (Sam Watters is now a successful music producer), their enthusiasm is infectious.
“I’ll tell you what we wanna do,” says Thornton. “We wanna bring back the romance in music, we wanna bring back the fun, the harmonies. In other words we want to bring back the feel good music.
With all the pressures of life, we just wanna give the people an escape.”
Big words for a band who haven’t had a top 10 single for over 23 years. However, they’re not without their merit. Their debut album, C.M.B, featured five hit singles, three of them top five.
They went on to release another four albums, the last of which was in 1998. Although this album, Awakening, caused only minor ripples, peaking at #48 on the US charts.
And while we’re not sure if they’ll still be sporting the silk shirt and jeans combo look, it is on the record that they will be busting out some new stuff.
“We have a new single coming out, so we’re hoping to, not just maintain the fans from the past, but get some new fans too. It’s up-tempo, it has a lot of energy and we’re gonna have a lot of fun with it," says Calderon.
Although it may seem like they’re jumping on the gravy train, Color Me Badd, who split up in 1998 and went their separate ways, say their reunion is less about the money and more about the fans.
And perhaps a sprinkling of the soul-searching question of whether or not they still ‘have it’.
“We noticed that people were really digging the groups of the Nineties and there were all these groups coming back from our era,” explains Calderon.
“And people were asking, 'where is Color Me Badd?' So we thought, let’s just see if we still have it and we got on the phone and to see if we still had the harmonies and they were still there.
We’ve had a great response, and when we get on Twitter we get a lot of love and support from the fans.”
This kind of instant access to their fan base is something the boys could have only wished for as teens trying to break into the industry.
The guys seem almost envious of today’s reality shows that catapult young artists into the limelight.